This is the second book by William Golding that I am reading. Unbeknownst to me, it is part of a trilogy! Even Nobel prize winners for Literature seem to can't help but write the damn things. How is one to finish reading all they want to read?! Anyway, the guy wrote Lord of the Flies, reason for the Nobel and a story I enjoyed both as book and movie. Rites of Passage has many similarities with that book. It happens at sea, on a ship, not on an island, but just as removed from the normal rules of civilised society. It reveals dark depths of human morality. It exposes hypocrisy and narrow mindedness. Golding also won an award for it, the Booker prize this time.

So, what is it about? There is this nobleman, godson of an unidentified but very important man, travelling on a ship from England to "the Antipodes" where he is to take an important state office. The guy is the highest socially elevated person on the ship, giving him some sort of equal footing with the captain himself, who is normally king and church on his ship. Now, the book appears as the journal of said guy, of the name of Talbot, written to his godfather, as a means to thank and humour the man, restricted in his own life by the gout disease. That is where the book is at its most difficult: the language is that of an Englishman noble from the 19^th century, with antiquated words and funny ways of turning them into sentences. I pride myself on having understood and finished it, but now, that I know it is part of a trilogy, I am a bit disconcerted.

Anyway, the journal of Talbot presents us with the marvellous world of a ship at sea, forcing the reader to both empathise with the man, but also share some of his opinions of the lower castes and of the social system. We get to share his view of the current events as well. He thinks of himself as noble, intellectually and morally superior to other people on the ship, while exercising a benevolent and understanding indulgence at the actions of others. He truly seems to be the most intellectual person on board, as educated in comparison with others as a college graduate is to a four grade drop out. However, he is a bit of a dick, full of condescension and of the weaknesses of all men.

The main moral of the story is that his arrogant views on the world of the ship are reasonable, if taking as true the presuppositions he makes as member of his social class and having his position on the ship. However, they are completely wrong as related to what really happened. We understand this in the second half of the book, where he relates the contents of another man's journal, who's perspectives on the situations turn our perceptions on their head. Also, the finale is quite grotesque, revealing that his blindness to the world around him is, more or less, voluntary and part of the social system he represents.

This is a difficult book to read, but one that opens eyes, so to speak. Not only we get to see how English was meant to be used (bah, Americans! :) ) but also the author is taking us through the recesses of the human mind and society and the experience of the read is a visceral and personal one. If you can handle the language and the slow pace, I recommend reading this book.

There is also a quicker option for the ones who want to see what happens without having to read the books. The To the Ends of the Earth trilogy has been adapted to a miniseries, by the BBC, of course, starring Benedict Cumberbatch.

Towers of Midnight, the 13th book in the Wheel of Time series and the book before last in the saga, was a great read. As the second volume written by Brandon Sanderson after Robert Jordan's death, it benefited a lot from Sanderson's fluid writing style and the fact that all the stories are coming to their end.

The plot was interesting, too, with all three ta'veren characters doing their part, all the girls (except Nynaeve!) being involved and quite a few Forsaken as well, with interesting gimmicks the Darkfriend previously known as Luc and even a gholam!. The entire Trakand clan is represented and there are blessedly few Aiel. In this book Moiraine is found, there is some news of lovely and terrible Lanfear and someone dies (although, of course, nobody important and they die quite uselessly) while battling Aelfinn and Eelfinn, while The Final Battle approaches, with the revelation of red veilled dark Aiel?

My feeling of the book was one of discovery. Brandon Sanderson is writing this book with the enthusiasm of someone that just started work on a story (because he did!), yet with all the legacy material from Robert Jordan to build upon. No wonder the last part of the series was supposed to be just one book and resulted in three at the end. That means the story feels fresh, even if I have been reading it for the last four months. Also, it is no surprise that Sanderson could not maintain the fearful and deferential view of women that Jordan cultivated in the previous books. Oh, don't worry, they continue to meddle in all the affairs of others and their behaviour is just as erratic and irrational as before, it's just that men don't act like cowed idiots anymore and actually have a backbone. I don't know if this was supposed to happen in the original author's view, but I am willing to bet that it was not. Actually, this is one of the worse points of the story, when Elayne (the queen of Andor), Egwene (the Amyrlin seat) and Faille (Perrin's wife and princess of Saldaea) are plotting and acting like they own the world, while at the same time putting themselves in all sorts of dangers where they have to be saved by others. Of course, the others more often end up dead, but there is always some handy rationalization for behaving like an idiot. Amazingly enough, though, Cadsuane and even Moiraine are behaving quite well. The End must really be coming!

The bottom line is that I have finished reading the series. The last book won't be published until 2013, so now I am free to read other books. Yatta! I've gathered a technical book about refactoring, The Rites of Passage, by William Golding, and The Checklist Manifesto, which I hear is both instructive and interesting to read (not to mention short). So, I guess the wheel won't be turning as the wheel wants until next year. Meanwhile, you're stuck with me!

The Gathering Storm is the 12th book in the fantasy series Wheel of Time and the last in the saga to be written (partially) by Robert Jordan. The guy died while writing it and the book was continued by Brandon Sanderson. The result? A better book! I firmly believe that Sanderson is writing better than Robert Jordan, while at the same time retaining enough of his style to not feel too much of a disconnect. I wish I was a literary critic right now, so that I could tell you what was better, but I am not; as a reader I can only tell you that I felt less like crawling through thick fluid and more like swimming. There is proof: I've finished reading this book almost a week ago and, while not having time to write this post, I did get two thirds in the thirteenth book of the series.

Ok, I must admit that being a series finale, it was bound to be more interesting, however more focus on the action and less on Nynaeve's braid pulling helped a lot. The plot revolves more about Rand and Egwene and less on the others. Rand is getting more and more erratic do to his obsession for eliminating his emotions. Instead, he buries them within, causing more and more insanity. Luckily, he gets over it, and not by psychotherapy, either. Egwene, instead, having been captured by the White Tower, has been demoted to Accepted and forced to do chores and beatings in order to stop calling herself Amyrlin. She uses her enormous ego and Aiel teachings to overcome the hurdles and reunite the Tower with the unexpected help of Verin, as we finally learn who she was.

The story of this book is interesting in itself. It was supposed to be the last book of Wheel of Time, but then it grew too much and it was decided a split into no less than three other books. The initial target was 200000 words, but the final estimation reached 750000. That means most of the book was written by Sanderson. The reception for the book was positive, since many of the threads left unended in the previous books were clarified.

Right now I am almost at the end of the final published book in the series, Towers of Midnight. The fourteenth book is supposedly ending the saga and will be published sometime at the beginning of 2013. So in about 9 months it will all be over :-)

Knife of Dreams is the last book in the series written by Robert Jordan. He died after finishing it. It was one of the nicer books in the series, mostly because it prominently featured Mat, who is one of the few characters in the Wheel of Time series I can empathise with.

The obvious and unnecessary story arch with Perrin's wife abduction by the Shaido Aiel finally ends, Elayne, Egwene and Nynaeve are all acting like they know everything and some get abducted by the Black Ajah and the White Tower, only to deny any wrongdoing or link to the cause of their predicaments. Cadsuane continues to be a pain in the butt, without actually providing a good return of investment and Min is either worrying without cause or acting stupidly and precipitating harm to Rand. Aviendha is not much better, but she rarely appears in this one. In other words, all the women are pompous idiots in Knife of Dreams, while Rand and Perrin act like buffoons. So the only satisfying story arch remains that of Mat.

I've started to read the last three books, which the new author (working on the basis of very detailed notes left by Robert Jordan and big fan of his) points out are three pieces of the same story, only one larger than a single volume could have contained. After that, I am free of the Dark One and the taint will be gone!

The tenth book of the Wheel of Time series was by far the least interesting. The action is taking place simultaneously or a bit after the events in Winter's Heart. I had waited to see what is going to happen next only to get a "parallel" book that only showed how everybody is taking their sweet time before doing anything. Of course, we know by now that Rand has finally done what needed done a few books ago, but what about all the not interesting characters? Well, we will get to know that in Crossroads of Twilight.

Having finished it, I embark on reading the last few books and see how the hell it is all going to end. That is the problem with stories based on prophecies. By the time the book gets anywhere, you know how it is going to end.

My blog becomes boring as I fly through the Wheel of Time series and it seems this is all I write about. The truth is that the feeling that started creeping in from books four or five, the "let's get it over with" feeling, has become stronger and undeniable. I don't want to stop reading the series, but I want to finish it soon, so I get to something that is truly interesting.

Winter's Heart is somewhat fractured. It continues where Path of Daggers left it and again it ends without a definite book boundary, just like a simple episode from a series. There is a rather important situation right at the end of the book, but it is underwritten, leaking important knowledge matter-of-factly and barely describing what should have been glorious fights with the One Power.

My impressions: Mat's storyline becomes intriguing, after a bit of utter boredom. Perin's story becomes ridiculous, with choices no sane man would make, not to mention women, and the obnoxious Aiel again getting a foothold in the plot. It has reached a point for me where any mention of Aiel just rubs me the wrong way. Rand is trying to make his enemies unsure of his plans, therefore he acts erratically, but that means he doesn't really do anything, until the end of the book. The girls are all doing whatever they feel like it, without coordinating with the boys, but still assuming they don't need to. The worst are the "evil ones" which seem to have fallen asleep. Fain tries to kill Rand, but not when he has him alone somewhere, only when he can "lure" him into a trap, together with all his friends.

Some ideas do come up. One is that Shai'tan is nothing more than a force of evil, not unlike Sauron, nothing corporeal or even conscious. All the evil in the book is done by people "doing the Great Lord's work" and their minions. The idea that the Dark One is imprisoned and that is why his actions make no sense is moot. Also, it seems that the Chosen are being reincarnated almost as soon as they die, only in other bodies. They call themselves differently, for some reason, but they possess the power and knowledge they had before death. They fear death, also, which make no sense at all. Robert Jordan's talent here is to make the evil side act stupidly, but without letting the reader feel so, and he manages it pretty well. Too bad I am more of a rational person.

I really like the idea that the One Power (which was always two, one male, one female) has an evil equivalent (the True Power - who comes up with these names?). Being of a Western origin, it is likely Robert Jordan will feel the need to unite all of these powers under "one God", so interesting interactions and hybrids might appear later. A tantalizing hint that Moiraine might be alive is also presented, when a reincarnation of Lanfear appears. Now that more annoying characters have popped up, I almost miss her, not to mention Lanfear herself, which is my favourite evil insane female character in the book :)

The one word that comes into mind when I think of the book is "frustrating". Having abandoned any semblance of independence between the books, Robert Jordan continues in The Path of Daggers many of the story arches began in A Crown of Swords and I don't know if he ends any. All the characters are acting like proud chickens, lacking any thought. They are emotional, weak, playing games when important issues are at stakes, taking serious offence from irrelevant words. I am sick of people "educating" others via beating, switching, shaming, pompous posturing, power plays and torture. The fate of the world is at stake and each and every one of the heroes of the story act like they still have other options. And while they are disgusted by people doing that very thing, but not seeing it in themselves.

At this point I am left with no other choice than to "watch" the story unfolding like on TV, because I feel no connection with it whatsoever. My wife asked me which of the characters in the book I most identify with. And I couldn't think of any. Even Shai'Tan doesn't make any sense at all. I've already started Winter's Heart and it continues in the same way.

The seventh book of the Wheel of Time series is a direct continuation of the sixth. I was saying in a previous post that book six, Lord of Chaos, was long and it doesn't even have a complete ending; A Crown of Swords overlaps Lord of Chaos a little, then opens up some other doors and doesn't close them either. Either this is the pattern (pun not intended) of the next books, or this is actually a weave (ok, now I was doing it on purpose :) ) of at least three books that are strongly coupled to each other.

A Crown of Swords is back to a size closer to the average of the other books, but since it is so connected to the books before and after, it doesn't really matter. There is a lot happening and some of it is captivating. I can't really empathize with most of the characters, though, except maybe Mat, and he is very present in this book. A new evil type of darkspawn appears, along with an advanced type of Myrddraal. The girls are hunting ter'angreal, the Seanchan are stirring again and a new battle against Forsaken is close. Also an Aes Sedai hero is approaching Rand and completely dissing him. Fun stuff!

Lord of Chaos was a long book to read. In size, it was as long as Shadow Rising, the longest book in the series so far, but it felt more packed. After all, Rand and Egwene can use portals and they go where the action goes, the Tower is divided, the Aiel are divided, a force of channelling men is created, Cairhien and Tear soldiers fight along Rand, there is action in Ebou Dar, Tear, Cairhien, Salidar, Andor, Two Rivers, Amadicia, The Forsaken are executing a plan of the Dark Lord and so on and so on.

There is a problem with consistency again, at least as I see it. If this was a strategy game, imagine more players playing in the same team, but each of them doing whatever they feel like. They are all friends, they even have one central character they can rally with, but they continue to do things their way. If the other team would have even a modicum of coordination, they would easily win. Also, the series has succumbed to levelitis, the disease that causes all main characters in a story to level up continuously, until it becomes unmaintainable. Rand and Eqwene can Travel or enter Tel'aran'rhiod in the flesh, Elayne can make ter'angreal, Nynaeve can heal stilling and gentling, Mat has the memories of countless heroes and has a talisman against saidar, Perrin is a lord, Loial can fight, Min can read auras and fight with knives, etc. It is getting so grand, that I fear for the books to come.

Even so, I've enjoyed the book and at the end I could barely stop reading to see where all the tension accumulated in the last hundred pages would explode, and how. The grandness and action packing of the book also led to a kind of split, where the stories started now have not ended yet and I must continue to read the series to see what is going to happen. The name of the book is also strange, as the Lord of Chaos is somehow related to the Dark One, but we don't really learn who he is; only hints are left here and there. Finally, Shai'tan seems to be more than just the cardboard evil destroyer of life and gains some complexity.

Sigh! There are 14 books in the series, I have just started the 7th and they seem to be growing in size as I go along... this is going to take a while.

I am already inside the story and it is getting harder and harder to analyse individual books. All I can say is that, again, there are a lot of incredibly condescending and arrogant people, mostly women, which are presented as indomitable based on looks or appearance or prestige, yet with not a shred of usefulness. I was reading this book and I was finding myself daydreaming of what I would say to such an annoying individual. What I find even more disturbing is that a lot of times the superiority of one's opinion was demonstrated via violence. Educational violence, mind you, switching, bottom beatings or pinches, meaningless and hard chores, but still violence and hardly acceptable to me.

Rand and Mat go together in The Fires of Heaven, but their contact is almost not existent and Mat is always trying to get away. What happened to their long time friendship? It evaporated in Jordan's writings. Perrin has saved the Two Rivers, but then married and stayed there, as if the world was saved and there was nothing to be done about it. Eqwene is with Rand as well, but more Aes Sedai and more arrogant by the minute, her relationship with Rand abandoned since subjected to the conscriptionary methods of both Aes Sedai and Wise Ones. A horrid character, if you ask me. Morraine is even more mysterious and useless as in the previous books, except for the end, where she does something heroic, but kind of dumb. Rand is getting "hard", but still suffers the people around him as he could do nothing about them. A prisoner of his own small village upbringing, he seems a sad sorry character, as remote from heroism as a dung beetle is from a professional dancer.

Interestingly enough, I found the Elayne and Nynaeve story arch a lot more satisfying. Complex, reasonable and thrilling. That until they voluntarily return to the Aes Sedai, where they have to again suffer all the humiliations an Accepted is supposed to suffer to gain "character". A new female Forsaken appears, Moghedien, but not nearly as interesting as Lanfear, who is present in this book, but terribly inconsistent. The ending of the book also annoyed the hell out of me, since I believe her outburst was completely out of character.

All and all, as interesting and captivating as the others in the Wheel of Time series, but suffering from a kind of character sublimation, in which the story is being carried by people that don't act like themselves. Book 6 is on the way.

It seems that Robert Jordan is balancing the odd books of the Wheel of Time series series with the even ones. The first and the third books were kind of black and white, little grey in between, all good characters fighting the evil. Now, the second and the fourth seem to be more ambivalent. Does that mean that the fifth will be again a bipolar epic battle? I'm ready to find out! [grin]

In The Shadow Rising there are four different main stories that have little to do with one another, all happening simultaneously. There is the Rand arch, going to Rhuidean to fulfil the prophecies, accompanied by Mat, Eqwene, Moraine and the Aiel; there is Perrin, going back to Two Rivers to protect it from Ordeith, Whitecloaks and hordes of Trollocs; Elayne and Nynaeve are hunting Black Ajah; finally, the White Tower itself has some major problems.

The book was certainly entertaining, although not particularly deep. A lot of complex characters are relegated to doing cliché work, like Thom, for example. A large part of the book is focused on Perrin, while Mat is all but ignored. My favourite character Lanfear appears from time to time, too. Rand does weird things, making us wonder if he has lost his mind or just has a plan, but neither his companion nor the readers know what that might be. I liked the Egeanin bit of the girls story, but I can't tell you more for fear of spoiling it. Some really flashy and important battles are being carried out by different characters, although they are more literary show than substance, as battles go.

All in all, a reasonable continuation of the series. I think I am safe by now in saying that Wheel of Time is addressed to adolescents and will probably not evolve to something further to the end of the saga. Still fun, though.

The Dragon Reborn relapses into the problems of the first book in the Wheel of Time series: there are good or bad characters, light and dark and the only true unknown (and most exciting as well) is Lanfear. The rest of the book is how all the characters level up dramatically to the point that none of them can pretend to cling to their small village roots. Rand is the Dragon, Perrin is a wolf, Mat is the reincarnation of a Manetheren hero, the girls are the most powerful girl power users in centuries, etc. If anything, the losers of this book are Loial and the Aes Sedai with their Warders, as it seems none of their long life, experience and training matter in the face of ta'veren-ness.

That doesn't mean that the book is not interesting, quite the opposite, it is certainly more epic, although in the same way the other two were (I am beginning to see a Pattern, heh heh) as the pressure builds and builds towards an ending that feels rushed. It's like sex after too much foreplay: is that it?

The bottom line is that Robert Jordan's series has captured my imagination, with all its clichés and great prophecies and noble heroes. I did hope for something more complex, but then again, life is not like a book and there are level-downs as well. There is still a chance the next book will be as intelligent as it is flamboyant, though.

I have to admit, the quality has increased dramatically in both writing and storyline in this second part of the Wheel of Time series. Robert Jordan's The Great Hunt follows our heroes in their quest to heal Mat, deliver the Horn of Valere and escape the endless machinations of the Aes Sedai.

I was saying in the review of the first book, The Eye of the World, that the story was ridiculously black and white, reminiscent of Lord of the Rings. The Great Hunt features good and evil Aes Sedai, sympathetic Darkfriends, political Cairhienians that see every action (or lack thereof) as a move in The Great Game of lords and not less than three new major threats, not counting the Black Aes Sedai, as well as parallel worlds, resurrected heroes and epic battles. So there is a good range of shades of grey, washing away the simplicity with which the series started. The characters gain volume, developing in their own unique ways.

There are some issues, though. Rand is exhibiting wonderful skill and ability exactly when needed, being pretty much clueless most of the time. Women again appear rather one sided: proud, intelligent, manipulative and always in some way of authority over men. The "The wheel spins as the wheel wills" quote is used way too much and the blatant logical hole ignored: if it does, then no one needs to get involved in anything, especially the Aes Sedai. Nynaeve find a new strength and acts more like a Wisdom and less like a scared little girl.

So I am caught up in this. Too interested to start reading the tech book I was planning and too much work at the office to really feel the need to. Let's see how the next book in the series will be.

The Eye of the World is the first book in the series called The Wheel of Time, by Robert Jordan. Written in 1983, it is very similar to Lord of the Rings. It features a complex world of nations and races with their own languages and cool sounding names, a battle of good light versus evil dark that is so ridiculously polarized that at first I thought I couldn't finish the book, a party of different people in which the main character is a poor country sheppard boy, a quest that has the goal of saving the world via a long trek of personal transformation.

Actually, if I think about it, it seems almost entirely inspired by Lord of the Rings, with none of the innovations that appeared since playing any effect except maybe The Chronicles of Thomas Covenant the Unbeliever, when describing the Blight. Something that is clearly different in the book is the role of women.

While Tolkien had them placed high on a pedestal, queens and princesses that were supposed to inspire men but not be touched, Jordan presents them as important members of the party, with Moraine, the "wizard", holding most of the authority. Actually, it goes further than that, giving all women characters an almost indomitable ability to influence men. Only one female in the entire book is evil, and that for a very brief period of time, and none of them are weak in any way. It doesn't even matter much that The One Power has two sides, one female and one male, and that the male is tainted by The Dark One. Even if they would have magical power, men are doomed to be ruled by women in The Eye of the World and probably the rest of the books.

The evil Shai'tan is a dark entity with burning eyes and eternal rage, imprisoned yet powerful, corrupting everything he touches, while the power that opposes him is white pure light that heals, purifies and avenges. The only shred of ambiguity comes in the shape of The Children of the Light, a warrior sect dedicated to fight evil, but that are nothing more than pompous gang members that define evil as anything they don't like.

All and all the book was pleasant enough and, being December, I plan on reading at least the next book in the series before I start with a technical one. However, it doesn't come close to most of the books I've read recently. The simple design and clear inspiration is probably the reason why they want to adapt the story to television, now that the likes of Game of Thrones have shown the model successful. If the quality of the books does not improve in time, it may be so that it would be more effective to wait for the films instead of reading the book. Then again, I will make up my mind after I've read more. I have hope.

This book touches a very uncomfortable subject for me: the mindless, visceral hive mind of the crowd. There is nothing more horrible, I find, that being powerless in front of a mob of people united by only their stupidity and fear. Lord of the Flies is the archetypal book about this subject. It tells the story of a bunch of British kids stranded on a small island without any adult supervision. They create a parody of human society which ultimately fails horribly towards the end.

The book is short, but to the point. Sections of it are almost unbearable to read, not because it features monsters or supernatural creatures, but because you feel deep inside that it is the truth, that these things happen and that they do because of something deep inside each of us.

The only failing of the book, I feel, is that Jack and Roger are portrayed as classical psychopaths and it is clear from the beginning that one cannot empathise with them. A slightly longer story that would have made the effort to make these characters slightly likeable would have had an even deeper impact. In that case, I fear, the book would have become completely unbearable. People need their illusions about the society around them; shattering them completely would not do.

This book is a must read for any student of human psychology and one of the best books to reference at parties to make you look smarter than you are :-) I've actually read the book because I was doing that too much, but had only seen the movie. I wonder if I should get other works from William Golding, since I liked this one so much.