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H.P.Lovecraft was one of the favourite writers in my childhood. I remember reading (some of) his stories and being mesmerised by the darkness and desolation of his writing, but also by the prospects of scientific inquiry "solving the puzzle" that layman minds cannot possible achieve.

The Call of Cthulhu was written in 1926 and is part of the Cthulu Mythos, which was started by Lovecraft but expanded by many of his writer friends and disciples. It presents the slow unravelling of a dark story by the heir of a deceased profesor. It is both thrilling and funny to discover the mindset of an upper class man from 1925, with some scientific prowess, trying to grasp the reality of slimy uncomprehensible ancient gods, waiting for their resurection from death, upon which the world will be destroyed by madness and horror.

That's about it. The guy finds some clues and follows them, bestowing upon the reader his strong emotions and easily disturbed victorian sensibilities. No meeting the monster, no special effects, no girls. It is so old a mentality, it is refreshing.

I couldn't rediscover the amazing feeling I had when I was a child, reading Lovecraft, but then again, I've grown a bit since then. Nevertheless, it is one of Lovecraft's most famous short stories and it is worth a read.

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Now this is a good book. It has it all: a fairly detailed description of a future world; magical kingdoms; the love between fathers, daughters, siblings; a thorough research for the book, allowing for elements of Victorian and Confucian philosophy; good writing style.

I felt it was way better than Snow Crash. I think it overlooked the transfer of energy to the nano scale devices that it describes. I loved the way it described the collapse of borders and the adoption of economic reasons why an ethnicity should have or not teritory.

Definitely a worthy read.

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I started reading Neal Stephenson at a friend's recommendation. That reminded me of the cyberpunk novels that I used to read in my teenage years and enjoy so much. However, I remember them slightly more fun :) That's why I would call Snow Crash more of a Cy-Fi novel, a piece of cyberpunk with a slightly overexagerated plot. Even Wikipedia calls it a post-cyberpunk novel. You see, when Gibson wrote about hackers and the artificial intelligences and the future, he was actually trying to convey a believable, predictable future. I believe Neal Stephenson actually crossed the line and pushed the vision a little in order to put some ideas on the table.

However, it was still a good novel, with interesting characters, fantastic vision of the future and quite a bit of research, which he modestly attributed to a lot of his friends.

The story revolves around Hiro Protagonist, a sword wielding computer hacker, and Y.T. (Yours Truly - a 15 years old skateboard courier), both caught in a complex plot that I cannot reveal without spoiling the read. It has some of the standard cyberpunk motiffs like the collapse of governments and law, the world being ruled by corporations like the Mafia, the church and Mr. Lee's greater Hong Kong (to name a few) and a focus on the services individual people can provide rather than the material benefits of technological items.

I recommend reading it, although some parts of the "future" are already old and silly by now. I've also read some short novels like The Great Simoleon Caper and Spew, that were both good reads, especially the latter. I am moving on to Diamond Age now.

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Oh, no! After such a glorious second volume, Baxter regressed for the third volume of the Destiny's Children series, Transcendent. What you get is basically a continuation of the first volume, but without the emotional content or the cool ideas of Coalescent. Same awkward family relationships that no one really cares about, same main character who is actually driven by the actions and thoughts of people around him, rather than his own, same single final moment that shapes the world without actually making the reader feel anything, same lengthy dialogue that brings important issues into discussion, but without drawing the reader in.

As Stalin said, one death is a tragedy, one million is a statistic. Same thing applies to humans 500.000 years into the future, going back into the past to redeem the sins of humanity. No one cares! The Earth is pushed to the edge by global warming and the lead character is championing a great hydrate stabilisation engineering project. Who cares?!

Bottom line: the book was well written, but badly designed. It's like an engineer doing a great job building something that is fundamentally flawed. I struggled to finish the book just as I've struggled to finish Coalescent, which was far more interesting to begin with. The reason is simple: the reader cannot really empathise with any of the characters, except in disparate fragments of the storyline.

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Exultant, the second book in the Destiny's Children series felt a lot better than Coalescent. Not without its own flaws, it made the entire experience better, but maybe that's just me.

The book describes a universe twenty thousand years into the future, when human kind has infested the galaxy, destroying all sentient races they encountered with their immense war machine. They are currently at war with a technologically superior enemy called the Xeelee, which are trapped at the core of the galaxy, pushed back by the sheer size of human forces. The war has waged for 3000 years and continues with no advancement of any kind, with the entire human philosophy focused on spewing more and more cannon fodder for a war that is neither to be won or lost, just endured.

A rather bleak vision of the future, but fear not, there comes hope! Somehow, an excentric aristocrat comes with all the ideas and resources to create the ultimate weapon that will destroy the Xeelee! And in the pages of the book it is described how they go at it. This is where the book actually fails, because at a such immense space and time scale, a solution of this simplicity is just not believable. You don't feel it in your GUT! But the book is well written, the style bringing memories of Asimov, and the ideas in it pretty interesting.

Stephen Baxter is again applying Universal Darwinism to his universe, bringing more and more species and types of lifeforms out of his magician hat. The ending of the book is terribly naive, but without a bit of naivite, you cannot finish great space sagas in a single book.

Bottom line: if you like space fights, military stratagems, character development, time travel, large scale galactic intrigues and a lot of techno babble (and I know I do! :) ) you will love this book. I do think that some of the great ideas in the book would have mixed nicely with late David Feintuch's writing. Anyway, on with the next book in the series: Transcendent

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In 1973, Frank Herbert wrote a book called Hellstrom's Hive in which it described a sect of people that lived underground, in a system much alike insects, with individuals specialised for different tasks and all living for the big hive organism. The book did not explain how it all got there, it just quickly described the situation and then delved into the action.

Jump to Stephen Baxter's Coalescent, the first book of the Destiny's Children series, which pretty much details how a group of humans would reach a plausible hive like society. Unfortunately, the book is more descriptive than anything else, failing to deliver in the action part. A lot of characters are developed and a lot of history (both personal and general) is detailed, but in the end the characters vanish as if they never mattered. It is, after all, the whole point of the novel, that ignorant individuals following certain rules lead to the emergence of patterns, but it did not fit well within a book.

Not that the book itself is not fascinating and well written, because it is, but the pace is very slow at the beginning, accelerating to a snail pace in the end, while the different parts of the book seem fractured, too little related to one another. I intend to read the rest of the books in the series, but I might just give up, too.

Bottom line, I think it would be a nice read to start with Coalescent and then read Hellstrom's Hive, although I do think the second book to be much better.

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Infected is a typical American sci-fi book, including small town mentality, a sports and US centric view, lots of government agencies, all working for the good of the citizens, keeping them all safe and ignorant and the warped morality that tells people they should destroy before they understand, just because they fear it.

That is something to be expected from an American author, though, and the book itself is not bad. It felt like it was inspired a lot by Stephen King's Dreamcatcher, which featured a similar personal dillema of alien infestation while the gov'ment was on the chase, but that one had more oompf. Of course, you can't compare aspiring Sigler to King, but then again, King's writing was never so great to me to begin with.

What I found really astounding is that a civilisation that uses biological machines to create a beach head on another planet would be so easily thwarted by a college athlete, a trigger happy black ops CIA agent and about a doctor and a half. Oh, and some Apache helicopters. What bothered me to no end is that I also felt this was a plausible scenario. I hope I am just stupidly influenced by similar literature, but would it really help to destroy the enemy before you get to at least understand it? What about the technology that was so easily recognisable as foreign and above Earth's current scientific level?

As a conclusion to both book and my own feelings: it was a nice read; not spectacular, but good enough to keep reading till the end. It is also available in podcast format and I myself have read it from a text file saved from a PDF that was gracefully provided free of charge by mr Sigler on the Escapepod podcast site.

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Don't go all "Oh no, not another Beowulf remake!" on me. This is a book that was written in 1971 by John Gardner, presenting the story of Beowulf through the eyes of Grendel. But it is not really the same story, just uses it as a scaffold for the philosophical ideas that he wanted to expose.


Structured into 12 chapters - each for a year in Grendel's life, each for a description of a philosophical current, each for an astrological sign - the book is not an easy one to understand, albeit pretty short. The language is modern and the wording is clear, but the underlying ideas need time and brain power to process, so don't read it in short bursts when you feel bored. Give it what it needs.

In the book, Grendel is not an animal monster, a thing with no thinking, quite the opposite. He is intelligent, articulate, philosophical, all these qualities being given to him at birth, not as a merit to anyone. He is hopelessly depressed and malevolent. He sees life and existence as meaningless, all the Universe a hollow illusion, a thing set to hurt him, set him apart, mock him. It is really easy to identify with him and to feel his feelings, while in the same time despise what he does and why he does it. Grendel is the part of us which we hate and which hates itself.

Enough, though, the book has bad parts as well. The occasional poem lyrics are meaningless in this book. The ending is confused and confusing. I would have liked a clearer ending, that's for sure. And also, it is hard to understand the book without at least knowing the Beowulf story and researching a bit from the Wikipedia article to find out what are the philosophical references hidden in each chapter. But then again, it was never a simple book, and the research (even if I haven't found time to do it) is worth it.

There was an animation film made in Australia in 1981 and featuring Peter Ustinov called Grendel Grendel Grendel which was based on the book, although I haven't been able to get my hands on it. It was partly musical as well, as expected in such a period, ugh!

If you are interested in finding out more about the meanings in the book and discussing about it, here is a link: The Grendel Board.

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Finally, another book finished. It is not that I am illiterate, really, but lately I have been listening to podcasts every single free minute. I even fall asleep like that sometimes.

Anyway, this book is rather well written and gives some interesting insights into the Microsoft "puzzle" hiring interviews, revealing as well the highly competitive culture behind the system, as well as the most obvious flaws. One of the most famous such puzzles is in the very title of the book. The interviewer would ask one how would they move mount Fuji. The expected answer is a detailed analysis of the process and the more situations and data the candidate thinks of, the better. Of course, there are really stupid puzzles as well, used only to assess how the prospective employee reacts under stress. Others are deceptively simple, but hard to guess.

I will give you one. Please think about it as long as it takes to be CERTAIN the response is right. In fact, I won't even give you the answer. Here it goes:

You have four cards on the table. Each card has a digit on a side and a capital letter on the other. As placed on the table you see the cards like this:

4 G E 3



The request of the puzzle is this: what cards must be turned in order to verify that the four cards on the table verify the rule "Every card with a vowel has an even number on the other side". You need to give the exact cards not the number of cards and (of course) turn only the ones that you need, so as little card turning as possible.

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Science-fiction author Arthur C. Clarke is one of the people that has defined me as a person and who's books provided both comfort and excitement during my childhood and adolescence. He is mostly known for the movie adaptation of 2001: A Space Odyssey although I liked the Rama series more. He also invented the concept of a geo synchronous satellite. 
He has lived a full life and I don't believe in artificially prolonging living above a certain threshold (he was suffering for 13 years now), so I am just happy to have known about him rather than sad for his death.

More details at this BBC News article and this Wikipedia entry.

In my own quest to find interesting books that would help me understand my place as a software developer I've stumbled upon Dreaming in Code, something I knew nothing about other than it featured the word "code" in the title. It had to be good!

In the end the book surpassed my expectations by describing software from a totally different point of view than the programming books I am used to. Dreaming in Code is not a technical book. It can be read by software developers and bored housewives alike. It features a kind and professional tone and the three years of documenting the book can only help put the whole story in perspective.

The storyline is simple: a software visionary decides to start a new project, one that would be open source, innovative and revolutionary and also a replacement for slumbering Outlook and Exchange type of software. Scott Rosenberg documents the development process, trying to figure out the answer to the decades long question: why is software hard? What starts very ambitious, with no financial or time contraints, ends up taking more than three years to get to a reasonable 0.6 release, time when the book ends. The project is still ongoing. They make a lot of mistakes and change their design a lot, but they keep at it, trying to learn from errors and adapt to a constantly changing world.

For me that is both a source of inspiration and concern. If Americans with a long history of software spend millions of dollars and years to create a software that might just as well not work, what chance do I stand trying to figure out the same questions? On the other hand the spirit of the team is inspirational, they look like a bunch of heroes battling the boring and pointless world of software development I am used to. And of course, there is the little smugness "Hey, I would have done this better. Give a million dollars to a Romanian and he will build you anything within a month". The problem, of course, is when you try to hire two Romanians! :)

Anyway, I loved this book. It ended before it had any chance of getting boring, it detailed the quest of the developers while in the same time putting everything in the context of great software thinkers and innovators and explaining the origin and motivation behind the most common and taken for granted technologies and IT ideas. It is a must read for devs, IT managers and even people that try to understand programmers, like their wives.

Here are some links:
Official book site
Scott Rosenberg's own blog
The official site of the Chandler software project

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This book is a short and easy read and it describes the way the web will change the world in Hamilton's vision. Part of the Web series it tells the story of a quest of online friends in the Realworld. At the end both virtual and real worlds mingle in an interesting way. A nice read from Hamilton, a quick pocket book relaxing read.

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I wondered about this book, since it had Hamilton's later style combined with a nearly marginal subject. Also, Misspent Youth has the title Magic Memories on my PDA. But the bottom line is that this is the story of the beginning of the rejuvenation technology, heavily featured in the Pandora/Void universe, but with other details that link it to Night's Dawn. However, if you completely ignore this science fiction limbo status and the few social issues that Peter F. Hamilton raises in the book, the story is no more than a soap!

I mean you have it all: young upper class people interchanging partners like they're researching combinatorics, puppy romance broken by experienced charmer, broken homes, even parent and son on opposite political sides. For someone that has read the more monumental scifi from the writer, this is like a break from the science fiction of it and towards a more personal point of view. For someone else, it may feel simply mediocre.

My conclusion: even if the book is well written, it is plagued by a the lack of a proper subject, the positive outcome of every single thing (remember Fallen Dragon? I said I can't possibly relate with the passive philosophy of the main character there, same here) and the quick, undetalied ending that one can observe also in the Commonwealth Saga.

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This is not a single story, but many short ones from my latest favourite writer: Peter F. Hamilton. A Second Chance at Eden is set in the Night's Dawn universe, but before that story unfolded. We have Marcus Calvert, father of Joshua, the hero of Night's Dawn; we have the birth of Eden, affinity bondage stories, zero-tau, psychic abilities, even a party assassin turned good (that would provide the template for a character in Pandora's Star).

I think that the collection is best read after you've read the lengthy stories. It rings so many bells that would normally not mean anything than sci fi speculation otherwise.

Bottom line: Great writing from Hamilton. It's nice that you can read one story and take a break and do something else :). I guess if you are not that sure you want to read the sagas, starting with this will open your appetite and you will find the same connections I did, only backwards.

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Something happened to Peter F. Hamilton between the second and third volumes of the Greg Mandel trilogy. He turned from a good average writing style to a great one. The Nano Flower is almost at the same level as Pandora's Star and births Hamilton's detailed universe. No wonder there was no fourth novel in the series, it would only drag the writer down.

The book has everything I came to expect from Peter F. Hamilton: hard sci-fi, detailed socio-political context, aliens, the party of braves, the sociopathic villains, a reference to Lord of the Rings... I do believe that Tolkien inspired Hamilton to write, but now it has become the chink in the writing armour, Achilles' heal. I've read a few great Hamilton books, but each had the basic layout of a battle between good and evil, groups of people uniting under improbable ideals to defeat an all too dark a villain. The qualities that attracted so many people to Lord of the Rings, for example, like camaraderie, honor, desire to help others, are not so attractive to me anymore. They are basic, very unlikely to truly define a character. I would very much want to see a Hamilton gray book. Maybe the new Void Trilogy will fulfil my wish (if I don't die of waiting for it to appear), although the vengeance driven character that remains pure and good at heart described in the first volume doesn't give me a lot of hope.

Anyway, even if I do seem to concentrate on what I don't like or what I would change in the writing of this great book maker, my appreciation for him is way higher than any possible defect in his writing. So, if you don't totally dislike sci-fi, go to a book store and buy Peter F. Hamilton books.